在上世纪中叶那个充满变革的时代，后现代主义设计如一股清新的潮流，以浪漫主义、个人主义、自由化，多元化的倡导冲破了现代主义的条条框框。设计师们在这股思潮中寻找自我表达的空间，他们的作品不再受限于现代主义高效率、产业化、标准化的冷硬。每一件作品如一首诗、一幅画，它们讲述着设计师的故事，传达着他们对世界的理解和情感。后现代主义不仅仅是一种风格，更是一种生活的态度。
In the mid-20th century, during that transformative era, postmodern design emerged as a fresh trend, breaking through the constraints of modernism with its advocacy of romanticism, individualism, liberalization, and diversification. Designers sought spaces for self-expression within this trend, liberating their creations from the cold, rigid efficiency, industrialization, and standardization of modernism. Each work became like a poem, a painting, narrating the designer’s story and conveying their understanding and emotions about the world. Postmodernism is not just a style but also an attitude towards life.
这种思潮在杭州上城区的一个二层复式居住空间中得以体现。这个项目由大开设计担纲项目的全案设计（软硬装陈设灯光），业主作为一名服装设计师，与后现代主义中所倡导浪漫和个人情怀的设计理念产生共鸣，希望自己的家能够充分展现个人的设计理念并致敬那个年代的优秀设计作品。
This trend is reflected in a two-story duplex residential space in Shangcheng District, Hangzhou. The project was fully designed by DAKAI Design, where the owner, a fashion designer, resonated with the romantic and personal feelings advocated in postmodernism design concepts. They hoped their home could fully showcase their personal design ideas and pay tribute to the excellent designs of that era.
一层公区以模糊边界的流动空间展开，客厅、厨房、玄关、过道融为一体，为软装家具搭建出完美的展陈背景。历史上的优秀作品定义了各个空间的功能属性，作为软性的边界营造了公区无限不循环的活动流线，同时如同精心挑选的展品一般彰显了收藏家的个人理念。
The ground floor unfolds as a fluid space with blurred boundaries, seamlessly integrating the living room, kitchen, foyer, and hallway into a cohesive unit, providing a perfect backdrop for the soft furnishings. Historical masterpieces define the functional attributes of each space, creating an infinitely non-cyclic flow of activity in the public area, while showcasing the collector’s personal philosophy like carefully selected exhibits.
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