该项目以工业遗迹的历史肌理为创作原点，通过 “保留 — 重构 — 注入” 的设计策略，将服装零售、咖啡社交、艺术展示三大功能有机整合，打造出一个具有叙事性、冲突感与体验感的复合型商业空间，在工业美学与当代消费场景的碰撞中，重新定义城市商业空间的可能性。
This project takes the historical texture of industrial relics as its creative starting point. Through the design strategy of “preservation – reconstruction – injection”, it organically integrates the three functions of fashion retail, coffee socializing, and art exhibition, creating a composite commercial space with narrativeness, a sense of conflict, and a sense of experience. In the collision between industrial aesthetics and contemporary consumption scenarios, it redefines the possibilities of urban commercial spaces.
设计背景与理念：从工业遗迹到生活剧场
Design Background and Concept: From Industrial Relics to Life Theater
项目选址于带红砖旧烟囱的厂房砖构空间，设计团队以 “工业记忆的当代转译” 为核心理念，拒绝对空间进行 “精致化抹平”，而是保留红砖的斑驳、砖块的原始排布，让工业遗产的 “时间痕迹” 成为空间的叙事线索。同时，以 “服装 + 咖啡” 的业态组合，注入时尚与人文活力，使空间成为 “工业历史的容器” 与 “当代生活的舞台”，传递 “自然氧化的力量重获平静与活力（The natural power of oxides regains peace and vitality）” 的深层价值主张。
The project is located in a brick-structured space of an old factory with a red brick chimney. Taking “contemporary translation of industrial memory” as its core concept, the design team refuses to “refine and smooth out” the space. Instead, it preserves the mottling of red bricks and their original arrangement, allowing the “traces of time” of industrial heritage to become the narrative clue of the space. Meanwhile, through the business combination of “clothing + coffee”, it injects fashion and humanistic vitality, making the space both a “container of industrial history” and a “stage of contemporary life”, and conveying the in-depth value proposition that “The natural power of oxides regains peace and vitality”.
空间叙事：三层维度的场景构建
Spatial Narrative: Scene Construction from Three Dimensions
历史维度：工业遗迹的保留与强化
Historical Dimension: Preservation and Enhancement of Industrial Relics
红砖塔作为工业时代的标志性遗迹，设计团队未做过多修饰，仅以混凝土矮墙进行框景式呼应，使其成为空间的 “历史锚点”，在现代建筑与城市高楼的环绕中，诉说场地的过往。
混凝土墙面的模板痕迹、裸露的管道与电线、原始的门窗洞口，均被保留并作为 “工业美学” 的组成部分，让空间自带 “未完成的艺术感”。
As a landmark relic of the industrial era, the red brick tower has not been over-decorated by the design team. It only uses a low concrete wall to echo it in a framing way, making it a “historical anchor” of the space. Surrounded by modern buildings and urban high-rises, it tells the past of the site. The formwork traces on the concrete walls, exposed pipes and wires, as well as the original door and window openings, have all been preserved and incorporated as part of the “industrial aesthetics”, endowing the space with an inherent “sense of unfinished art”.
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